Etchings
The Ancient Goddess
The Ancient Goddess
The etchings here trace my relationship with the feminine principle that manifests in the images that come down to us from the pre-metal ages, principally the Neolithic and Bronze Ages of the 10th to the 2nd millennium BCE. Mostly these are efforts to demonstrate the iconographic quality of these sacred images. In the prints the image is centrally placed and surrounded by a field of pattern derived from elements of the specific culture. Application of various etching techniques - line, aquatint, softground,
Unknown Polish Goddess
aquatint and deep bite etching
aquatint and deep bite etching
Cucuteni Fields
line, softground and aquatint etching
line, softground and aquatint etching
Cucuteni Threshold
line, aquatint and deep bite etching
three etchings demonstrating the relationship of the ceramic wares' outer form with the figurines' silhouette. When two vessels are placed side-by-side a negative space is set up that closely resembles the lines of the figurines' form.
line, aquatint and deep bite etching
three etchings demonstrating the relationship of the ceramic wares' outer form with the figurines' silhouette. When two vessels are placed side-by-side a negative space is set up that closely resembles the lines of the figurines' form.
Maeve in Malta, 3000 BCE
line and aquatint etching
line and aquatint etching
Malta Goddess 1 - Mnajdra
aquatint
aquatint
Malta Goddess 2 - Hal Saflieni
aquatint
Malta Goddess 3 - Qrendi
aquatint
aquatint
Four Maltese Goddesses
aquatint
aquatint
Four Polish Goddesses
aquatint and deep bite etching
aquatint and deep bite etching
Minoan Snake Goddess
aquatint and deep bite etching
aquatint and deep bite etching
Minoan Mother-Son
soft ground and aquatint
soft ground and aquatint
Feather River Goddess, California
soft ground and aquatint
soft ground and aquatint
Utah Corn Goddess - Fremont
soft ground and deep bite etching
soft ground and deep bite etching
Shiva Lingham
aquatint
aquatint
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